Towards Unordering and Doubt
Short Film (2019)
18mins
Doubt, put precisely, is a powerful thing
John Berger
T
This film (indirectly... kind of) tries to think about western society’s adopted notions of the great historical narrative -- a longer lasting (macro-)politics -- how we think about landscape -- and the one-thing-followed-by-the-other notion of time we live by. This is done through the lens of protagonists within protagonists . A forgotten Roman wall by a car park IS consumed by an old railway viaduct
.. A series of atlases with colonial ideology within their painted ‘cloud’ forms
... An endless network of mosses, lichens and liverworts that mutter historical accounts to each other, and a researcher with a scanner.
With documentary and fiction-film elements, it is an essay film (of sorts) that infers literary and cinematic traditions (yawn) to combine lyrical reflection with slow and poetic images.
The film also draws on a project made from 1924 called The Mnemosyne Atlas by historian and theorist Aby Warburg. The Atlas was a radically different way of looking at history and a kind of proto-cinema. It essentially consisted of photographic reproductions of paintings, etchings, other visual relics of the past... on large black panels. Yet they were also organised 'sensuous-intuitively’ - or without order, without linearity ----- jumping back and forward in time
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ections
Video Documentation/Teaser
Performance Photo Documentation
Slides From Performance
Performance Photo Documentation